The Silk Rout Continues…
“Painted Silks!” For those of us who have a vivid imagination, these words evoke all the mystery and magic of the Orient.
This precious fabric was the object of a luxury trade by the nomadic caravans that crisscrossed the arid regions of northern China, a then-unknown country at the other end of the world. Along with purple dye, spices, porcelain, glass and paper, silk fabrics were the first product traded between East and West. In our time, silk still comes from the Orient in various forms such as fine or heavy, smooth or textured, bright or matte. Indelible liquid colors allow us to recreate the warm, exotic, distant feel of the East.
Silk Painting as an Art Form
Silk painting is not a static art form. Quite the contrary! Like watercolor, the hallmark of silk painting is its movement and fluidity. While your hand delicately guides the movement of the liquid colors, they flow and glide through the silk. Silk painting can be done on different surfaces, with or without your control, in styles ranging from intricate to free form. The transparency of silk is so exquisite and delicate that you will soon discover colors you never imagined.
The formula for enhancing your creativity is simple: EXPRESSION = DISCOVERY. The more you experiment, the more your artistic expression will allow you to stretch your imagination toward ever-new horizons. There is no limit to the search for new ideas. As you discover more and more things to try, you will be fascinated by the subtleties. Never be afraid to make mistakes. What some people may call a mistake, others might consider a happy accident. Mistakes can be your best teacher. Although silk painting is creating art on fabric, some people prefer to regard it as a craft.
The History of Silk Painting
Historically, fabric painting was very popular in the Far East. How can we forget kimono art in Japan over the centuries? And, of course, remember that silk originated in China. Then there is Indonesia, Which gave us batik with all its intricacies, beauty and challenge.
Although the dyes were developed around 1850, it was not until approximately 1920 that silk painting started to develop, as we know in today, Russian émigrés fled to Paris and earned a living making exquisite men’s silk handkerchiefs. Experimenting, they started to paint on silk fabric and the art of silk painting was born. This soon evolved to painting on other items such as scarves and wall hangings and grew to such an extent that at one time there were twenty-six silk painting workshops in Paris.
Artistic expression on fabric has traditionally played a major role in the French fashion industry where fabric designers often use silk painting techniques to animate their ideas for fashion designers. At the end of World War II designers and the women they designed for looked for ways to express their delight in achieving peace. They turned to decorative scarves to symbolize the times and “le carré” – the square – was born. Famous artists were commissioned to design silk squares for reprint, often in limited editions. Many an American tourist must have one of those delightful squares in a drawer! Interest in scarves as wearable art has never flagged. In fact, these days hand-painted scarves are making a big resurgence because the popularity of silk painting allows everyone to create their own “care”.
In 1965, Litza Bain, a Parisian artist, came across some of the techniques of silk painting first used by the Russian émigrés to France, and those of the milliners and silk flower makers. Researching their techniques, she combined all these elements into a system for painting on silk as an art form and started to teach it, finding group teaching a wonderful way to share her enthusiasm for her discoveries. She also encouraged French art supply manufacturers to create the products she needed. Her clear, detailed records and photographs of the processes of painting on silk, coupled with her enthusiastic “why not try this” attitude soon created a good-sized following of students and colleagues who wanted to paint on silk – and silk painting became open to everyone to try and enjoy!
Experiment to Learn
There is something in silk painting for everyone, no matter what your level of experience. Children enjoy its immediacy and easy application. Art teachers and students are aware of its potential. Professionals appreciate the intricacies and sophistication of the medium, and artists and crafts persons are attracted by its challenge. There are two stressed things: 1) TEST, TEST, TEST, and 2) PRACTICE, PRACTICE, PRACTICE!
Setting Up The Work Space